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Beyond
Mastering
The new T-RackS 3 raises the bar again in high-end DAW mastering and
mixing, with a suite of 9 analog modeled and digital Dynamics/EQ
processors, an audio quality that is unmatched in software, and scores
of new and unique features.
Modular High-End Mastering/Mixing Suite of
Dynamics and EQ processors, including:
- 9 processors comprised of 3 new analog and vintage
emulations (including models based on the Fairchild 670 and the
Pultec EQP-1A), 2 new digital processors as well the 4 classic,
award-winning T-RackS processors
- New configurable mastering/mixing chain – run up to 12
parallel/series processors
- New complete built-in metering section with Peak,
Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer
with Peak, RMS and Averaging indicators
- New standalone and plug-in versions available in the
same package for use in all the most popular native DAWs
- New high-fidelity oversampling with crystal clear
transparency, for high quality audio processing throughout the
entire signal path
- New SCC™ technology coupled with IK’s unique DSM™
technology provides the most realistic software emulation of vintage
gear to date
- Extremely easy to use, with style-based presets, full
chain visualization, one-click single module or chain bypass,
“compare” function, multiple audio processing in standalone mode and
much more
T-RackS 3 has all the tools you need to create superb, tube-toned or
digital-tuned, mixes and masters. Its rich, warm sound combines new
tube-modeled and state-of-the-art digital processors on top of its
classic top-notch analog classics. A new modular chain gives you full
control and easy navigation/compare features. A new complete metering
section keeps all the most important variables of your sound under
control. A truly superior mastering and mixing system that will put a
polish on your tracks you may have never thought possible. All this,
while adding the beautiful warmth and space of the tube devices it
emulates. No other plug-in offers this kind of dedicated environment for
such an important task, and nothing sounds like T-RackS 3.

New T-RackS
processors:
Vintage Tube Compressor/Limiter model 670
Based on the “Holy Grail” of compressor/limiters, the Fairchild 670.
With a faithful reproduction of every control, this is an incredibly
accurate model that captures every nuance of one of the best Fairchild
units available.
The original unit delivers a truly magic touch that makes everything
that passes through it shine and sound more musical and emotional, and
was analyzed for months for every single detail to unveil all of its
secrets.
IK’s unique analog-modeling experience and exclusive DSM™ (Dynamic
Saturation Modeling) technology push this model to the limit and beyond,
so we developed a new custom, proprietary method dubbed SCC™ (Sonic
Character Cloning) – with results that can only be described as magic!
It took us a very long time, but we believe it was well worth the
effort, and you’ll be the one who says that this is the only 670 digital
recreation that actually treats music like the original.
Stereo or Lat/Vert (MS) operation.
Vintage Tube Program Equalizer
Based on what is universally known as one of the best and most
musical program EQs ever made, the Pultec EQP-1A. Extremely accurate
modeling of two real world units, known to have "the sound", with
sonic performance that is indistinguishable from the originals,
thanks to IK’s DSM™ and new SCC™ technology.
Stereo or MS operation.
Opto compressor
Optical compression has a special sonic character that audiophiles
can truly appreciate. This analog-modeled module faithfully recreates
that particular (and extremely musical) “movement” that characterizes
only the best opto compressors. An important characteristic of optical
compression is the total absence of distortion and coloration during
gain reduction, and you can expect the same character and performance
from this digital recreation.
Stereo or MS operation.
Intelligent, multi-algorithm Brickwall limiter
Multi-algorithm Brickwall limiter that can really make your masters
loud without squashing them to a lifeless sound (unless you want that!).
Accurate and transparent, digital brickwall limiting doesn’t get any
better than this.
Selectable algorithms to match the best limiting style for each
program type.
High precision, high definition Linear Phase
Equalizer
An accurate, high definition, high precision EQ that can be trusted
for delicate Mastering tasks.
6 completely identical bands that can be set to all available filter
types and that can span the whole spectrum range (any kind of overlap is
possible).
Switchable between minimum and linear phase characteristics.
Stereo or MS operation.
4 T-RackS classic processors
Classic T-RackS Compressor
Classic tube stereo compressor/leveler designed for mastering.
Classic T-RackS Multi-band Limiter
Multiband master stereo limiter.
Classic T-RackS Clipper
Soft-clipping stage to create warm, saturated mastering effects.
Classic T-RackS Equalizer
State-of-the-art six band parametric equalizer, modeled on classic top
quality analog gear. Classic T-RackS Equalizer can now be used in Stereo
or MS modes.
These are all of the original T-RackS modules that achieved cult
status. They maintain their great original sonic character, and have
only been improved upon to line them up with the absolute "no
compromise" in sound quality of the T-RackS 3 signal path.
Classic T-RackS Equalizer can now be used in Stereo or MS modes.
Modular mastering/mixing solution with 12
processing slots
New, selectable 12-processor slot audio chain, arranged in two rows
of 4 slots for parallel processing plus 4 serial final slots.
Modules can be easily switched on/off with a single click,
individually or all at once, at any time for quick a/b on the monitored
audio, without having to navigate or scroll around.
Single module or global chain visualization options
A "compare" function with volume matching allows comparison between
the sound of the processed version and the original, so that you can
really judge the sound changes, and not be mislead by a volume increase.
Accurate, complete and truly useful Metering
T-RackS 3 includes a new high quality, high precision, complete
metering section. This includes:
- A precision three-scale Peak meter with accurate sample
indicators and real digital “Over” indication.
- Real Perceived Loudness meter. This is an amazingly useful meter
that is not included on most software processors. It shows the REAL
loudness that will be perceived on your masters. Compare your
preferred records with your works on this meter, and you’ll
immediately see where to go with loudness management.
-
Phase scope, with options to match the style and indication
you’re used to
- Phase correlation
- Spectrum analyzer with Peak, RMS and Averaging indicators.
- RMS meter.
- Loudness and RMS metering “optimal” zones’ indication,
selectable by genre and style.
All-platform plug-ins and standalone versions
in the same packages
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Plug-ins fully integrate with all of today's popular DAWs
- Standalone mode allows for loading multiple audio files,
previews them with all-independent settings and processes all of
them with a single click
- Standalone mode includes extremely high quality sampling rate
conversion to write 44.1 kHz CD files, starting from any sampling
rate
- Built-in dithering with various options
- Automation made easy: you can take snapshots within each song
and automate processing parameter changes during the song, for
example, when passing from verses to choruses, etc, all with a
single click
- Non-destructive basic audio editing
High transparency, extremely high quality audio
processing throughout the whole signal path
You may think digital processors are transparent in general, and of a
quality high enough for audio mastering. That's not always true. Very
simple processing like a filter or a dynamic gain change can literally
ruin your sound without any possibility of rescue if it’s not performed
at the highest possible quality.
T-RackS 3 delivers incredible purity, transparency and fidelity that
is far superior to the vast majority of plug-ins you could compare it
with. If you are familiar with the sound of top quality analog and
digital hardware equalizers that are used daily in top mastering houses,
you'll immediately recognize the quality and purity typical of those
units here, and if you're not, you'll experience what high quality
equalization means.
Oversampling perfected. Many digital processors use oversampling to
achieve better sound. Unfortunately, many of them, under critical
listening sessions, can be found to achieve no significantly better (or
even slightly worse) results than the regular sampling rate option. This
is because the upsampling and downsampling processes are not done at an
adequate level of quality, in other words: typically what is improved by
running a processor at double sampling frequency is partially
compromised by the loss of quality in the upsampling and downsampling
process. There are only a few pieces of gear, mainly extremely expensive
hardware that really realize oversampling the way it should be done. T-RackS
3 is one of them. We wanted to offer the same quality of the highest
caliber mastering tools, and the result is a process that has no side
effect at all on the sound: total transparency. So what you hear is
exactly the same sound of the processor running at double sampling rate,
with no side effects.
System Requirements
Power PC based Macintosh®
Minimal: 866 MHz G4 processor, 512 MB of
RAM, Mac OS X 10.4 or later.
Suggested: dual 1.25 GHz G4 or G5
processor, 1 GB of RAM, Mac OS X 10.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
Intel based Macintosh®
Minimal: 1.5 GHz Intel Core Solo
processor, 512 MB of RAM, Mac OS X 10.4.4 or later.
Suggested: 1.66 GHz Intel Core Duo
processor, 1 GB of RAM, Mac OS X 10.4.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
Windows®
Minimal: Pentium 1GHz / Athlon XP 1.33
GHz, 512 MB of RAM, Windows XP / Vista or later.
Suggested: Pentium 2.4 GHz / Athlon XP 2.4
GHz, 1 GB of RAM, Windows XP / Vista or later.
Supported Plug-in formats: VST, RTAS.
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